‘Myths of masculinity are questioned by this barrier-breaking performance. It searches for a less bitter, lonesome and self-destructive male image than is, as health statistics reflect, the fate of the Eastern-European man of today. The metaphorical title refers to the most ancient task of men; that of the hunter gatherer. The three male dancers are not looking for the game, but rather for the wild in a cold, industrial environment and the connection in the joint rituals of today’s men’s communities, e.g. that of a gym clique, a garage band or a gang from the block. We see boys on the margin of adulthood, wrestling savagely, engaging in  horseplay and competing with each other; yet they are not afraid to show their gentle and emotional side. The aim of their constant exploration is to find means of touch, which may penetrate or dissolve the massive armour of the male body and the male identity. The absurd sense of humour and outstanding musicality of the choreographer, László Fülöp, make this performance enjoyable and intriguing for a much broader audience than his own Generation Y.’  Orsolya Bálint, curator

CREDITS

Performers: András Déri, Patrik Kelemen, Kristóf Várnagy

Costume design: Emese Kasza/Mei Kawa
Music: Vince Varga
Lights: Orsolya Pete
Choreographer: László Fülöp

REVIEWS

“Myths of masculinity and gender stereotypes are addressed in contemporary context by choreographer László Fülöp in his new barrier breaking performance. The three versatile dancers (András Déri, Patrik Kelemen and Kristóf Várnagy) experiment individually with different movement styles – just like personality traits –, showing their vulnerable sides and putting on different masks of conformity. They also push each other to their limits, leading to playful and hilarious but also tensed and ambiguous interactions. The dynamics are constantly changing, still there is a palpable build-up, as the texture of the performance becomes richer and deeper with every added layer. Fülöp has a broad understanding of choreography, using not only movement, but also music, pop culture, high art and philosophical references, creating a unique blend of tunes, images and energy patterns on stage. Besides his precise sense of style and timing, extensive use of self-irony makes the performance enjoyable and relatable for all audiences.” Orsolya Bálint

‘The problem that this performance presents, especially as it happens with such intensity, is that of encountering and entering into a relationship. Hunting is exquisitely reflective in this respect. It portrays the timely achievement of totality, as well as an encounter brought about as a consequence of striving for high quality. It is an encounter that is neither accidental nor unavoidable. Whether we like it or not or whether it happens in dance or real life, this is something we inevitably must keep hunting for in order to survive.’ Gábor Csatádi, www.potszekfoglalo.hu

Timothy and the Things

...is a collective founded by dancer, choreographer László Fülöp. László has been creating his own choreographies for eight years now. The core topic of his interest is based on exploring and analysing all forms of human social behaviours and communication issues. He considers their entirety from every aspect, without generalizations and prejudices, in a simple, pure and personal way. His previous 4 productions were all nominated for the Laban Rudolf-Award (awarded to the most progressive choreographies), one of them (‘there’s an elephant in the room…’) won the prize. One of his previous creations, Your Mother at My Door, was part of the 2017 Aerowaves Spring Forward selection and toured extensively to numerous stages in Europe and the USA. His 2016 premiere, Waiting for Schrödinger also gained considerable international attention and received various invitations.

Co-PRODUCERS

SÍN Arts Centre, Trafó House of Contemporary Arts

SUPPORTERS

National Culture Fund of Hungary, DNA Departures and Arrivals

CONTACT

Anikó RÁCZ/SÍN Arts Centre
racz@sinarts.org
+36.20.525.1551